randian | 燃点

Monumental architecture is simple. Its strict geometries of circles, squares and triangles; its complex arches or layers; or its great mass or height simply demand attention. But can a renowned building lose its esteemed position? >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Perrotin Shanghai is pleased to present an exhibition by Japanese artist Takashi Murakami. >> Read more

Johannes Girardoni (b. 1967, Austria) has dedicated the last two decades of his practice to a complex and precise exploration of the limits of perception through material and light. Shifting between disciplines—sculpture, installation art, and photography—his work is concerned with creating new definitions of space through digital and analogue technology. Lévy Gorvy is pleased to […] >> Read more

David Zwirner is pleased to present Dan Flavin: in daylight or cool white at its 537 West 20th Street gallery. >> Read more

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

for Chen Chun-Hao, his innovation in media, form, and texture through substitution and amalgamation is informed by “unlikeness in likeness; likeness in unlikeness,” so that the visually unexpected sculptural qualities and the optical illusion they render, together achieve a reasoned liberation in his work. >> Read more

Patty Chang, Feng Chen, Apichatpong Weerasethakul, Shanghai Seeds… >> Read more

Perrotin gallery is thrilled to present Iván Argote's first show in New York, marking his 3rd solo at the gallery. >> Read more

"River of Fundament", an operatic, five-hour-long film created by Matthew Barney in 2014, was presented in Asia for the first time last September; it is known in translation as Chongsheng zhi He— literally “River of Rebirth­ ­—which is believed to be the film's subject. >> Read more